08-06-2010, 02:07 AM
Bomba? mengapa cerita pasal bomba dekat bod music nie? haha.. actually ni bukan badan bomba penyelamat tu. tapi pasal sejenis musical dinamakan Bomba.. aku pun baru tau lepas jumpe kat wikipidia. masa tu aku nak cari artikel pasal badan bomba. inilah sedikit maklumat tentang bomba (music):
Bomba is one of the folk musical styles of Puerto Rico. Although there is some controversy surrounding its origin, most agree that it is a largely African-derived music. The rhythm and beat are played by a set of hand drums and a maraca. Dance is an integral part of the music: the dancers move their bodies to every beat of the drum, making bomba a very wild and rich dance. Bomba is described to be a challenge between the drummer and the dancer. The dancer produces a series of gestures to which the primo drummer provides a synchronized beat. Thus, it is the drummer who attempts to follow the dancer and not the other way around. The dancer must be in great physical shape and the challenge usually continues until either the dancer or drummer discontinues. The main instruments used in bomba style music are any number of low pitched hand drums used to create a base rhythm, and a higher pitch drum which accentuates the beat with improvised patterns. Other instruments used are the palitos or cuas, which are sticks that are struck against any, usually wooden, surface. A single large maraca usually completes the sound of bomba, though a güiro has commonly been used in orchestral arrangements. Both of these last two instruments have origins in the Taino culture of the Caribbean Basin.
The basic music style was brought to Puerto Rico during the colonial slave trade. It originates in Kongo, although the majority of slaves can be traced back to many different areas of West and Central Africa. The dance was mostly practiced at the northern, southern and western coasts of the island where the majority of Africa's descendants lived. It is said by most bomba practitioners around the island that the town of Mayagüez is considered the birth place of bomba in Puerto Rico. The men use a series of hip and hand movements. The women use similar movements, however the movements are often augmented by the use of their skirts. In bomba shows, the typical apparel worn by the dancers is what slaves may have used in social gatherings. Men wear a white outfit and Panama hat and women wear big plantation skirts and a head scarf or bundaloo.
The traditional drums used in bomba are called barriles, since they have long been built from the wood of barrels. The high pitch drum is called "subidor" or "primo", and the low pitch drums are called "buleador" and "segundo".
There are several styles of bomba, and the popularity of these styles varies by region. The four most common rhythms are called "sica", "yuba", "cuembé", and "holandes", though there are more than 20.
duple metre
bambulaé
bele
calindá
cocobalé
cuembe or güembe
cunyá
danuá or danué
gracima
holandé or holandés
hoyoemula
paulé
seis corrido or seis corridor
sicá
triple metre
corve
holandé seis por ocho
leró
mariandá
rule
yubá
So far, Rafael Cortijo has been the only artist successful in taking bomba to the mainstream with his Combo in the 1950s and 1960s. Ricky Martin mixes a bit of authentic bomba rhythm with other Latino influences in his aptly-named song La Bomba.
sumber: http://en.wikipedia.org/wiki/Bomba
Bomba is one of the folk musical styles of Puerto Rico. Although there is some controversy surrounding its origin, most agree that it is a largely African-derived music. The rhythm and beat are played by a set of hand drums and a maraca. Dance is an integral part of the music: the dancers move their bodies to every beat of the drum, making bomba a very wild and rich dance. Bomba is described to be a challenge between the drummer and the dancer. The dancer produces a series of gestures to which the primo drummer provides a synchronized beat. Thus, it is the drummer who attempts to follow the dancer and not the other way around. The dancer must be in great physical shape and the challenge usually continues until either the dancer or drummer discontinues. The main instruments used in bomba style music are any number of low pitched hand drums used to create a base rhythm, and a higher pitch drum which accentuates the beat with improvised patterns. Other instruments used are the palitos or cuas, which are sticks that are struck against any, usually wooden, surface. A single large maraca usually completes the sound of bomba, though a güiro has commonly been used in orchestral arrangements. Both of these last two instruments have origins in the Taino culture of the Caribbean Basin.
The basic music style was brought to Puerto Rico during the colonial slave trade. It originates in Kongo, although the majority of slaves can be traced back to many different areas of West and Central Africa. The dance was mostly practiced at the northern, southern and western coasts of the island where the majority of Africa's descendants lived. It is said by most bomba practitioners around the island that the town of Mayagüez is considered the birth place of bomba in Puerto Rico. The men use a series of hip and hand movements. The women use similar movements, however the movements are often augmented by the use of their skirts. In bomba shows, the typical apparel worn by the dancers is what slaves may have used in social gatherings. Men wear a white outfit and Panama hat and women wear big plantation skirts and a head scarf or bundaloo.
The traditional drums used in bomba are called barriles, since they have long been built from the wood of barrels. The high pitch drum is called "subidor" or "primo", and the low pitch drums are called "buleador" and "segundo".
There are several styles of bomba, and the popularity of these styles varies by region. The four most common rhythms are called "sica", "yuba", "cuembé", and "holandes", though there are more than 20.
duple metre
bambulaé
bele
calindá
cocobalé
cuembe or güembe
cunyá
danuá or danué
gracima
holandé or holandés
hoyoemula
paulé
seis corrido or seis corridor
sicá
triple metre
corve
holandé seis por ocho
leró
mariandá
rule
yubá
So far, Rafael Cortijo has been the only artist successful in taking bomba to the mainstream with his Combo in the 1950s and 1960s. Ricky Martin mixes a bit of authentic bomba rhythm with other Latino influences in his aptly-named song La Bomba.
sumber: http://en.wikipedia.org/wiki/Bomba
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